Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

Timmy gets a case of the itchy polka dots on the day of the Flossmore Valley Fair. It's up to Mr. Wisdom to read Timmy a medieval story about the origins of the childhood disease.

A four-part documentary series that tells the stories of Jimmy Iovine and Dr. Dre -- one the son of a Brooklyn longshoreman, the other straight out of Compton - -- and their improbable partnership and surprising leading roles in a series of transformative events in contemporary culture.

A look at the artwork of Aleister Crowley.

The evil Dong Won has unbeatable kicking legs and proudly travels the land proving his expertise. But when a young man loses his foster parent to Won's deadly kick, he seeks out an old drunken master to learn a way to defeat the Master of the Leg.

Feature documentary from Louis Moir exploring the relationship between comedy and art, and the inner conflicts that lie within. Featuring the director's father Jim Moir, aka Vic Reeves, Spencer Jones, Simon Munnery, Miriam Elia and Bec Hill as they each prepare work for an exhibition.

Over the week leading up to Christmas in the town of Bayside, Charlotte tries to capture her own unique style in the local art scene while also helping her mother, run the family restaurant. Disheartened and struggling to find time for her art, Charlotte throws out her latest painting, only to discover that it has been anonymously submitted to the Christmas art festival. It turns out that Wyatt, a visiting artist, stumbled upon her discarded work and is now using the festival’s exposure to find its mysterious creator.